IAB's New (Free) Digital Audio Buyer's Guide – Informs a Breakout Category

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The digital audio space is really just beginning to hit its pace and so this is a perfect time for the Interactive Advertising Bureau (IAB) to come out with its authoritative A Digital Audio Buyer’s Guide developed by IAB’s Digital Audio Committee (on which BIA/Kelsey serves).

The digital audio market felt a seismic rattle with the news yesterday of Spotify’s expected $400 million capital raise which would bring its valuation to $8.4 billion more than twice that of leading competitor, Pandora, who closed out yesterday with a $3.55 billion market cap.

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As BIA/Kelsey noted in a digital audio report we released last year (sponsored by XAPPmedia), “The Internet radio revolution has been brewing for some time. Streaming audio has gone mainstream for audiences and advertisers. This revolution is foundational, meaning that new business models are forming around new audience behaviors supported by technology advances.”

IAB’s Digital Audio Buyer’s Guide is a comprehensive but very digestible 26 page educational and reference document that lays out in a clear fashion everything from “what is meant by ‘digital audio'” to sizing the digital audio market, providing best practices and digital audio ad samples to providing insights around planning and buying.

“Digital audio” is defined as comprising broadcast AM/FM stations online, pureplay online radio stations, streamed audio content with selections influenced by consumer input, and audio-on-demand (i.e., podcasts). With over 50% of the U.S. population as current monthly users of various digital audio services, IAB cites eMarketer data showing this will grow to over 190 monthly digital radio listeners by 2019.

In BIA/Kelsey’s updated forecast for broadcast radio, we’re estimating that the advertising revenue from AM/FM stations streaming online will double from $1 billion in 2014 to $2 billion by 2019. That’s a significant growth component for an industry that otherwise won’t see much revenue growth. And we see a lot of new competition both for listeners and in selling access to local audiences.

In the pureplay digital audio world, Pandora will be releasing its latest earnings report on April 23, 2015. We’ll see then how it stacks up in its drive to increase local ad revenues and how Spotify’s raise may impact its share price. Since Pandora beefed up its local sales force presence, it managed to grow its local ad revenues by 155% to over $150 million in 2014.

It appears that the local digital audio market is no longer so sleepy as it may have appeared as social, mobile and video digital advertising claimed all the headlines.

Rick Ducey

Rick Ducey is the managing director for BIA/Kelsey. He is an expert in digital media innovations, competitive strategies, new product development and new business models, including digital ecosystem collaboration strategies. Ducey oversees the firm's consulting, research and advisory services areas. He is also the program director for BIA/Kelsey's Video Local Media advisory service. This program provides coverage and analysis of how online, mobile and broadcast video technologies, competition, shifting consumer demographics and media usage trends are driving changes in the media ecosystem and SMBs and other advertisers can be successful in the new environment. Ducey assists clients with their business planning and revenue models, strategic research, market assessment, and designing and implementing digital strategies. He is also a cofounder of SpectraRep, one of BIA�s companies, which sells a patent-pending IP-based alerting system that he co-invented. Prior to joining BIA in 2000, Ducey was senior vice president of NAB's Research and Information Group. In this position, he was in charge of the association�s new technology assessment, audience and policy research, strategic planning and information systems, including all Internet operations, and he also developed publications and seminars. Before joining NAB in 1983, Ducey was a faculty member in the Department of Telecommunication at Michigan State University where he taught and did research in the areas of emerging telecommunication technologies and strategic market research. He also served on the graduate management faculties of George Mason University and George Washington University in telecommunications management and the University of Maryland, where he taught strategic market management and research methodologies. Ducey was selected as the Spring 2011 Shapiro Fellow at George Washington University where he teaches entrepreneurship in new media. He has published a number of research articles and papers in these areas and serves on editorial boards of leading scholarly journals in the communications field. He has also worked at radio stations WSOQ-AM/WEZG-FM and Upstate Cablevision in North Syracuse, New York. Ducey received his Ph.D. from Michigan State University, M.S. from Syracuse University and B.A. from the University of Massachusetts at Amherst.

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